Vertical Film Festivals Co-Director, Natasha Sebire, receives a rather big cheque from Peter Carroll of the Katoomba and Upper Blue Mountains Community Bendigo Bank. These much needed funds helped with this year’s prize money and some of the running costs. Chatting with Peter it’s great to hear how excited he is about supporting local art projects and other community events. It was also interesting to hear how committed Bendigo Bank are to sustainability and were the first community bank branch in Australia to go solar. The VFF is proud of their support and also from Scenic World Shared this year.
We had a lovely warm summer’s evening on 8 December 2018, for the screening of the 3rd Vertical Film Festival in the Blue Mountains of Australia. A 4 metre tall screen took up most of one wall of the Carrington Brewery in Katoomba. For the second time we’ve used the Carrington Brewery, as the old building with its tall brick walls, iron and old timber beams provides a great atmosphere for the VFF screening - and the smell of the beer brewing in the surrounding vats just adds to the effect!
The warmer weather was a good test for the projector, but thanks to a special mount designed by KFM Media to hold the projector on its side, it didn’t overheat. The summer weather was also perfect for sampling the Carrington Brewery’s craft beers on tap.
The audience was treated to 23 vertical films and videos, some created with smartphones, others shot on high-end cameras such as Arri and Red. The panel of judges awarded both 1st Place and also Best Cinematography in ⇧THIS WAY UP⇧ competition to:
Amapola — by Wenceslao Lopez Meza from Mexico. A big congratulations to Wenceslao for taking out both categories as the competition was tough with a fantastic line up of films! Thanks to Bendigo Bank and Scenic World Shared for sponsoring the cash prizes.
It was great to see Ben Kumanovski, Director of ‘Rectangle’, and Sidat de Silva, the film’s Cinematographer, attend the festival. ‘Rectangle’ had its world premier at this year’s festival and was a very close runner up, with its entertaining story about the vertical format, excellent production design and cinematography.
We’d like to thank Bendigo Bank and Scenic World Shared for supporting this years festival. It’s great to have local community support to help make this event happen. We’d also like to thank all of our in- and out-of-competition filmmakers for allowing us to screen their works. The high quality selection showcased this year shows vertical film and video is well and truly in its golden age. We look forward to more in the future.
¡Viva la Vertical!
Natasha Sebire & Adam Sebire
(founding directors of the VFF)
We’re looking forward to seeing those of you in the Sydney/Blue Mountains area at the Festival in Katoomba this evening, Saturday 8 December 2018. Details and program are on our Screenings page.
If you live further afield, there’s a little treat: With the rise of vertical video a few vertical documentaries about the form itself have begun appearing. Our favourite so far would have to be Argentinian Javier Pazzano’s thesis film, which he’s just finished. It’s 20 minutes long, features shots from a number of films that had their first première at our 2014 and 2016 Festivals, and you can view it below: https://vimeo.com/302601526
Trailer for the 3rd Vertical Film Festival, Saturday 8 December 2018 in the Carrington Brewery, Katoomba, in Australia's Blue Mountains. Includes a few seconds from films in both the ⇧THIS WAY UP⇧ competition (for 9:16 videos under 3 mins), and TALL SHORTS, our out-of-competition section.
Entry is by donation, doors open at 8pm for an 8.30pm start. Reserve your free tickets here
Thanks to the filmmakers for content in this trailer.
Music: SaReGaMa saregama-music.blogspot.com.au
The screening of the 3rd VFF in the Blue Mountains is fast approaching. The final selection of films has been made, and the program will be up shortly. We will be screening 23 short films for the in-competition and curated sections of the festival. The filmmakers are from culturally diverse places around the world, but their common link is their passion for vertical film and video. From Scandinavia to Australia and everywhere in between, the films span a wide range of genres.
To reserve your seats at the one and only screening of the 3rd VFF to be held in Katoomba in Australia’s Blue Mountains, visit http://verticalfilmfestival.eventbrite.com.au/
Entry is free but donations are welcome to help cover costs for this event. For those that want the full vertical experience, bring your own beanbag - we have reserved a special space right under the big screen!
This year we have Erika Addis, James Cunningham and Kim Batterham judging this years 2018 VFF. All have many years experience in the industry. Read more about them here.
This year there will be a special category for ‘Best Cinematography’. How effective has the cinematographer been with their use of light, shape, tone, colour, movement, rhythm and space to tell the story?
We are pleased to announce Bendigo Bank are helping sponsor this year’s Vertical Film Festival. It is great to have community support for this, the 3rd VFF.
A huge thanks to Bendigo Bank, which values events like this as an opportunity to reinvest in local communities. The Blue Mountains is a strong community and the Vertical Film Festival is proud to have its home here (and in one of the most ‘vertical’ places in Australia!).
Thanks to everybody who submitted an entry to the 2018 Festival. We’ve had a record number of entries from places as far and wide as Venezuela and Nepal. Vertical filmmaking has really taken off since our first festival in 2014! Stay posted for news of the final selection.
Great news! Scenic World is providing some sponsorship for the 3rd Vertical Film Festival. So a big thanks to them as getting support for events like this is always difficult.
This view is literally just down the street from the festival venue! The Scenic Skyway is the largest aerial cablecar in the Southern Hemisphere, offering a 720m journey across the valley with incredible views of the Blue Mountains.
A one-minute vertical video callout from the Vertical Film Festival team shot with GoPro & drone on a recent Sunday morning in the Finnish archipelago. Music from Peer Gynt by Edvard Grieg.
Remember, the VFF is **now open** for vertical filmmakers to show off their creative explorations of the tall-screen format. Entry is free and closes 18 Nov 2018. Details on our guidelines page: https://verticalfilmfestival.org/guidelines/
It’s on again! The 3rd Vertical Film Festival will be held in Katoomba, in Australia’s Blue Mountains, on Saturday 8 December 2018.
The formula is the same as when we launched the world’s first competition for vertical film & video in October 2014: entries in high definition of up to 3 minutes, created and delivered vertically (9:16) for tall-screen projection in front of an audience, on any theme, in any genre, pushing the creative possibilities of vertical filmmaking. Finalists films will be available online.
In 2014 it was just beginning; now vertical videos are on the cusp of going mainstream. But a lot of it is just widescreen “content” cropped vertically :-(
We want to see how you explore the inherent possibilities of tall-screen. If you're an independent filmmaker or artist and the vertical format is essential to your creative vision then this competition is for you!
Conditions of entry and an online entry form are now on the website: Submit Your Film
(No entry fee; prizes to be confirmed; videos to be submitted via Vimeo.)
Entries close Sunday 18 November, 2018.
As darkness fell and fog rolled in across the Blue Mountains, the Vertical Film Festival once again raised its tall-screen — this time up the old walls of the Carrington Brewery to show 28 vertical films from 14 different countries, over a third of them directed by women, and created on formats ranging from smartphone to AfterEffects to 35mm Kodak film.
Projectors are notoriously fickle about being tilted 90º due to overheating but perhaps due to the cool mountain air ours managed to project 2hrs of stunning images on a 4m high screen. Beautifully designed soundtracks reverberated around the brewery’s hops (where beers could be sampled at interval).
In 2016 our ⇧THIS WAY UP⇧ competition was decided by a popular vote of our enthusiastic audience. We tallied everyone's votes while the out-of-competition TALL SHORTS were screening.
The results gave 1st prize, with a lead of 63 points over its nearest rival to... (drum-roll please...)
Impact — by Jean-Charles Granjon from the south of France. He wins a Nespresso by KitchenAid machine (rrp: $799). Heartiest congratulations and magnificent work, Jean-Charles!
The 2nd and 3rd prize were only separated by a single 1st preference vote.
2nd prize went to Basket Case — made by James Bedford of Hampshire in the UK, who wins a Nespresso Pixie Clips machine (rrp: $349).
Congratulations to all three filmmakers and their teams! All the prizes will be coming with a set of accessories (see photo below). We’re extremely grateful for Nespresso for being our prize sponsor this year, and to the three filmmakers (Erik Schmitt, Eva Weber and Gaëlle Denis) who Nespresso commissioned to promote their Talents 2016 Prize for allowing us to show their films at our Festival as well.
And last but certainly not least, thanks to all of our in- and out-of-competition filmmakers for allowing us to showcase such marvellous works of creativity and for the love and effort they and their collaborators have so evidently put into them.
¡Viva la Vertical!
Adam & Natasha Sebire
(founding directors of the VFF)
Our program of films for screening in 2016 is now online (though the exact order is still to be confirmed). We received dozens of films — from every continent except Antarctica — and the final decision proved very difficult for the selection panel. Selectors gave each film a rating 0-5 which was then tallied.
Check out the complete list of films chosen here, & have a look at the 2016 Teaser, right.
For the filmmakers who missed out on a screening slot, there will undoubtedly be other opportunities. We already know of half a dozen vertical film screenings in planning around the world and we will blog about these if and when they open their calls for entries (our blogs are also be posted on Facebook), so keep an eye on one or the other. Consider uploading your work to mobile-only vertical platforms such as Vervid and imDown. Also, to make your film more visible on Vimeo, consider adding it to a vertical filmmaking “Group” (in Settings / Collections). There are several such vertical film communities on Vimeo, for example:
(But make sure your video is the right-way up first; see Editing on our 9:16 Tips & Tricks page.)
And a reminder: tickets are going quickly. Reservations are free so get in soon if you're planning to attend as the Blue Mountains' main newspaper has just given the Festival some timely publicity!
Submissions have closed, and we've had entries from Almaty to Arkhangelsk, from Uganda to the United States. The quality of entries and the fact that we received three times as many as for our first edition bode very well for vertical filmmaking.
The selectors are working the way through many dozens of films and we hope to let all entrants know this coming weekend.
Meantime, we've opened seat reservations for the Festival. Because it's free to reserve (entry is by donation at the door) and because in a week's time we expect some media coverage in Australia, we recommend that our loyal VFF followers who are planning on coming to Katoomba get in soon to reserve their seats:
If you want the REAL vertical experience, you can also bring your own beanbag — there will be a special space for you under our big screen.
All the screening details are on this page.
Only one month remains to enter the 2nd Vertical Film Festival, so get your skates on, verticalistas!
Remember, as per our previous post, you CAN enter your vertical film in both the Nespresso Talents competition (which closes 10 April) AND our Festival (which closes 30 April) without disqualifying yourself from either. That's two opportunities to have your work seen by audiences, and a rare chance to have it projected in our lovely tall-screen venue here in Australia.
In that vein, here's a brilliant short film that Nespresso commissioned from auteur Gaëlle Denis to get people enthused by the form: Rhapsody in Blueberry.
In the interests of promoting opportunities for vertical filmmakers, we want to let you know about another tallscreen video competition (some might say our ‘rival’ — but so far as we’re concerned the more the merrier! :-)
Nespresso Talents 2016 is for 3min vertical shorts also (although our Vertical Film Festival accepts longer videos for screening out of competition). Nespresso's event happens before the VFF (their deadline is the 10th of April) so the good news is that you can enter their competition and ours without breaking any rules.
Nespresso deadline 10 April
Vertical FF deadline 30 April
Nespresso winners announced 12 May at Cannes screening
Vertical FF winners announced 21 May at Katoomba screening
Or, if your film’s already finished and ready to go, here’s one other (much smaller) competition to consider: MIP Digital Fronts http://verticalvideo.miptv.com/ — but be quick as it closes today!
There have been a flurry of articles about vertical video's ascendancy lately. Vertical 2015 is an overview of the last year's vertical developments, and contains an interesting graph showing the ever-increasing hours spent using mobile screens:
And recently we at the Vertical Film Festival were contacted by a researcher at the Nieman Journalism Lab at Harvard University. The resulting article (or see here for German version) provides insight into the growth of vertical video in the commercial world, quoting the astounding figure of over seven billion vertical videos viewed daily on Snapchat (below).
Although many of these are simply landscape-format videos cropped vertically (see left), a substantial number of them are created vertically from the outset, and the article describes the difficulties this involves, citing the Vertical Film Festival's very own "how to make a vertical video" guide as a repository of technical & practical solutions. Always happy to help... :-)
Vertical Film Festival fans can circle two dates in their 2016 diaries now!
- Saturday 30 April — this is the deadline for entries to the Festival (both in and out of competition). Entries are now open, and are free.
- Saturday 21 May — Festival screening night in the Carrington Brewery, Katoomba, Australia, 8pm.
We're excited to be one of the first events in the Carrington Hotel's atmospheric micro-brewery space, an old power station which was recently renovated to produce boutique beers.
Visitors to the Blue Mountains will probably already know of The Carrington, a grand old hotel perched on the mountain-top, dating back to 1883. The Katoomba Brewing Company now adjoins it and has beautiful brickwork (around the corner in the picture) on which we'll be mounting our 4 metre-high vertical screen for your viewing pleasure!
As well as enjoying an evening of great tall-screen films, if you're a beer connoisseur you're in luck: the bar will be serving the real thing amidst the hops from 7:30pm, half an hour before the Festival kicks off, as well as at interval and after the announcement of our winners.
We're happy to announce that the 2nd Vertical Film Festival (VFF) will be held in May 2016.
Details are to-be-confirmed, but most likely it will be one Saturday evening in May, and once again in Katoomba in Australia's Blue Mountains. We plan to screen once again in a beautiful vertical venue and to keep the same Festival sections as we introduced last time:
- ⇧ THIS WAY UP ⇧, the first worldwide vertical video competition for shorts under 3 minutes.
- TALL SHORTS, an out-of-competition section featuring a curated collection of extraordinary vertical cinema (generally under 10 mins) from around the globe.
To get the word out, Adam Sébire (who's up in the Arctic enjoying the aurora) has created a vertical teaser for the Festival. Please share it far & wide! https://vimeo.com/150033726
The website will be updated with entry details in early January, but we wanted to let filmmakers know as early as possible, to give them impetus to shoot their next film vertically. If you're new to the concept, have a look under the "For Filmmakers" menu above for tips & techniques. One day it'd be great to set up a kind of vertical filmmaking virtual community & hub ... one day! Meanwhile feel free to add comments below.
It's been a while between posts, and a lot has happened in vertical filmmaking since our inaugural festival; there are signs that tall-screen filmmaking is on the cusp of something big, including three vertical features (that we know of) either underway or completed and an app called Vervid which is positioning itself as the YouTube of vertical video. A good summary of other goings on (though almost a year old now) is Vertical Film 2014. And last, but not least, take a look at this beautiful vertical film below, just completed by Jean-Charles Granjon.
That's it for now. We look forward to lots of amazing adventures in vertical video with you over coming months. Be sure to check back here occasionally for more details of the Festival in 2016 (and to save your fingers you can also reach the Festival site simply by going to http://vertical.video )
¡Hasta la vista, verticalistas!
Both the 1st Vertical Film Festival and the 2014 Australian Climbing Festival have now wrapped after a crazy but exciting long weekend. Our thanks again to the ACF for underwriting the VFF in its first edition.
Before a capacity crowd we screened twenty-one films totalling around 90 minutes, from filmmakers in Australia, Cyprus, Germany, Switzerland, UK and USA, about half of whom were in the audience. (We'll be sending all participants stills of their films taken during projection, soon).
They ranged from Matthew Gray's excellent vertical documentary treatise on the significance of doors to the incredible animation skills on display in The Numberlys and Everything I Can See From Here — as well as a number of climbing and adventure-related works. Putting on their judges' wigs were Cedar Wright, climber-filmmaker (and 2014 ACF special guest), and Chris Caines, multimedia artist and Katoomba local; both have won a string of awards in their own right.
Around half the films shown were in the competition which we titled ⇧THIS WAY UP⇧ and the winning entries as chosen by the judges are detailed below. We hope to begin uploading competition entries as Vimeo videos by the end of October.
For its sheer beauty, technique and storytelling, First Prize,
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GIRL & FISH
On a lonely beach Fish flops desperately, trapped by a yoke of plastic rings. Girl sees him and lovingly releases him. Both are transformed. As time passes they're propelled on a desperate search for their unlikely love. Magic awaits them.
(Commissioned by 9:16FF, Adelaide) • Created by Ana María Méndez Salgado & Carlos Manrique Clavijo (Karu Karu Studio, Adelaide) • Duration: 2’54
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went to Simon Baré's haunting experimental portrait study:
TIMMH: STUDY (PHASE TWO)
An experimental video work exploring portraiture in a liminal and uncertain space.
Director: Simon Baré • Subjects: Pete Conroy, Ron Kelly, Jenny Leonard, Amanda Stephens Lee, Sylvia Griffin, Nikki Walkerden • Duration: 2’31" • Shot on Canon 60D DSLR.
The prize for Best Vertical Climbing Video,
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went to a short shot in the glaciers and mountains of Europe & China:
Following a shadow of expectancy, making a mountain out of a mountain, shifting balance is found in suspension.
Director & Performance: Nikki Walkerden • Sound: Shaun Hay • Duration 2’31
As mentioned in the printed program, the 1st Vertical Film Festival offset its carbon emissions for lighting, sound, projection and heating during the Festival. From meter readings before and after the event, this equated to 0.15 tonnes of C0₂, which has now been offset using GoldPower renewable energy credits.
Thanks once again to everyone who entered a film, to our judges, to our audience, to Rev. Ray Robinson & Michelle Seers at St Hilda's, to Andrew Gelao at KFM Media, to David Neal, and to everyone who offered advice, help and encouragement. We couldn't have done it without you!