Tips & Tricks

St Hilda and the Tiger Snake by Adam Sébire

With two months to go, we're happy to report that we've confirmed our venue of choice, the beautiful St Hilda's Anglican Church in Katoomba (pictured, right). With a lovely tall nave, stained glass windows, glass doors to bring people in from the main street of Katoomba, and the friendly Reverend Ray Robinson it'll be a great venue for the first ever Vertical Film Festival screenings on the evening of 17 October. St Hilda is regarded by some as patron saint of culture, so that bodes well too!

In the meantime I, along with VFF coordinator Natasha Sebire (below), have been out shooting a vertical teaser for the festival in Tiger Snake Canyon in the deepest, darkest parts of Australia's Blue Mountains.

It proved to be a steep learning experience, pardon the pun. Even us verticalistas forgot to rotate the camera 90º on a few occasions, so ingrained in us is the horizontal mode of filming. Also, how exactly does one capture L/R stereo audio when the microphone is vertical?!

GOPR1350.jpg

A lot of the time we decided to use the camera handheld. Lenses with image stabilisation were ideal for this purpose, and most likely we'll add some shot stabilisation during editing as well.

Abseiling into the canyon meant we needed to travel as light as we could. However we splurged a couple of kilos of our equipment allowance to take a Steadicam Merlin 2 for tracking shots on a Canon C100 along the canyon's most extensive section, where the walls are worn smooth by millions of years of water. (Note Natasha's el-cheapo L-bracket solution atop the steadicam, pictured below — $4 at the local hardware store, with the addition of two 1/4" threaded holes and one 1/4" bolt.)

We look forward to showing the finished film soon.

The simplest way yet to mount a camera vertically by Adam Sébire

Thank you to everybody who’s mentioned they’re going to enter ⇧ This Way Up ⇧, our 3-minutes-and-under competition section, to us so far.  We're very excited to see what you come up with!

If you haven't already, now's a great time to start thinking about suitable subject matter, and checking how your equipment might allow you to do it.

On that subject, Adrian Reinhardt, currently shooting in Madagascar, just gave us a dead-easy tip we’d not thought of for vertical camera mounting: just to rotate the baseplate — the part of your tripod that screws into the bottom of your camera — 90º (and remember which way you rotated it, to keep all your shots consistent).  Then, with the camera mounted on the tripod, just tilt the head forward and, voila!

Of course the centre of gravity has now changed and the tripod may fall over if you’re not careful. Always make sure the legs are positioned to give maximum stability, and consider adding a counter-balance to correct the centre of gravity.

We’ve added this idea to the tips & tricks page.  Good one Adrian, and thanks for sharing!